Good Work! Labs
Téma: Nová práce
Aneb trendy na pracovním koberci a oldies. Co přijde po digitálních nomádech, co-worku?
1
Hluboká práce
Titulek hovoří sám za sebe. Co všechno přes den děláš v sedě?
Snídáš, jedeš do práce, makáš na kompu, obědváš, makáš na počítači, sedíš v autě cestou na hodinu cvičení, sedíš cesto domů, večeříš a pak si jdeš lehnout? Není to trochu moc? Omez sezení když nemusíš! Je nám jasné, že hned neprodáš svoje auto za lítačku a nevyhodíš svůj stůl, nebo budeš nutit svoje rande celou dobu v kině stát.
Stůj v tramvaji
Visual aids are often used to help audiences of informative and persuasive speeches understand the topic being presented. Visual aids can play a large role in how the audience understands and takes in information that is presented. There are many different types of visual aids that range from handouts to presenataions. The type of visual aid a speaker uses depends on their preference and the information they are trying to present.

Each type of visual aid has pros and cons that must be evaluated to ensure it will be beneficial to the overall presentation. Before incorporating visual aids into speeches, the speaker should understand that if used incorrectly, the visual will not be an aid, but a distraction.
Co-work
Titulek hovoří sám za sebe. Co všechno přes den děláš v sedě?
Snídáš, jedeš do práce, makáš na kompu, obědváš, makáš na počítači, sedíš v autě cestou na hodinu cvičení, sedíš cesto domů, večeříš a pak si jdeš lehnout? Není to trochu moc? Omez sezení když nemusíš! Je nám jasné, že hned neprodáš svoje auto za lítačku a nevyhodíš svůj stůl, nebo budeš nutit svoje rande celou dobu v kině stát.
Stůj v tramvaji
Visual aids are often used to help audiences of informative and persuasive speeches understand the topic being presented. Visual aids can play a large role in how the audience understands and takes in information that is presented. There are many different types of visual aids that range from handouts to presenataions. The type of visual aid a speaker uses depends on their preference and the information they are trying to present.

Each type of visual aid has pros and cons that must be evaluated to ensure it will be beneficial to the overall presentation. Before incorporating visual aids into speeches, the speaker should understand that if used incorrectly, the visual will not be an aid, but a distraction.
No-work
Titulek hovoří sám za sebe. Co všechno přes den děláš v sedě?
Snídáš, jedeš do práce, makáš na kompu, obědváš, makáš na počítači, sedíš v autě cestou na hodinu cvičení, sedíš cesto domů, večeříš a pak si jdeš lehnout? Není to trochu moc? Omez sezení když nemusíš! Je nám jasné, že hned neprodáš svoje auto za lítačku a nevyhodíš svůj stůl, nebo budeš nutit svoje rande celou dobu v kině stát.
Stůj v tramvaji
Visual aids are often used to help audiences of informative and persuasive speeches understand the topic being presented. Visual aids can play a large role in how the audience understands and takes in information that is presented. There are many different types of visual aids that range from handouts to presenataions. The type of visual aid a speaker uses depends on their preference and the information they are trying to present.

Each type of visual aid has pros and cons that must be evaluated to ensure it will be beneficial to the overall presentation. Before incorporating visual aids into speeches, the speaker should understand that if used incorrectly, the visual will not be an aid, but a distraction.
We are sitting ourselves to death
Dr. Lames Levine
Mayo Clinic-Arizona Statre University Obesity Solituon Iniciative
2
Proč nesedět?
To differentiate that role from that of "key" modeling when a modeling source moves behind the object it is typically called a "rim" or "accent" light. In portrait lighting it also called a "hair" light because it is used to create the appearance of physical separation between the subject's head and background.
When a photographer puts the sun behind an object its role in the lighting strategy changes from modeling the front of the object to one of defining its outline and creating the impression of physical separation and 3D space a frontally illuminated scene lacks.
Steve Jobs
Apple CEO
1818 Magazine by Stephanie Toole
To differentiate that role from that of "key" modeling when a modeling source moves behind the object it is typically called a "rim" or "accent" light. In portrait lighting it also called a "hair" light because it is used to create the appearance of physical separation between the subject's head and background.
3
Co místo toho?
Jak na to? aneb zdravá práce u počítače
When a photographer puts the sun behind an object its role in the lighting strategy changes from modeling the front of the object to one of defining its outline and creating the impression of physical separation and 3D space a frontally illuminated scene lacks.
Petr Růžička
Pohyb je život
A typical studio lighting configuration will consist of a fill source to control shadow tone, a single frontal key light to create the highlight modeling clues on the front of object facing the camera over the shadows the fill illuminates, one or more rim/accent lights to create separation between foreground and background, and one or more background lights to control the tone of the background and separation between it and the foreground.
There are two significant differences between natural lighting and artificial sources. One is the character of the fill and the other is more rapid fall-off in intensity. In nature skylight fill is omni-directional and usually brighter from above. That "wrap around" characteristic is difficult to duplicate with a directional artificial source.
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